浩室設計 - 即景之奏 Piano Scenery
設計鬼才邱炫達獲 2020 A'DESIGN AWARD一銀二銅！剖析3設計案窺視獲獎機密
素有「設計界的奧斯卡」之稱的義大利國際設計大獎 A'DESIGN AWARD (A’設計大獎賽)，2020年最新得獎名單已出爐，浩室設計總監邱炫達分別以(浩室辦公室-返樸歸真)、(以裁縫之名)、(即景之奏)三件作品拿下一銀雙銅。每年匯聚全球的設計好手競相角逐，唯有菁英者才能得此榮耀！今年台灣也有不少設計師參加競賽，而譽稱為「設計鬼才」的邱炫達如何在眾多設計界佼佼者中雀屏中選，將美學與實用兼容並蓄，展現其獨特的設計格局，更是耐人尋味。
The rhythm of the rhythm around the beam, the big song is placed in the moving line. The creative idea comes from the rhythm of the rhythm, the injection of the sequence into the gap, making it bloom in a rhythmic level.
The blinds that should be connected to the entire wall surface have deepened the deep depth of the long axis pattern and weakened the narrow space in the long space. The piano position that is demarcated in the middle of the double hall can enlarge the sound field in the time of the leaking time, and is more optimized for the long and long sound of the sound quality of the scene.Incorporating the montage technique makes the visual sense seem to penetrate the time series, and the large-scale dark gray-transparent glass boundary is divided into the porch and the public domain, and the lookout is the horizontal axis window corresponding to the public domain. Looking through the glass, there is a line of contrast between light and dark, and it looks like there is a shock of coexistence during the day and night. When the thoughts are fixed on the eyes and eyes of the illusion, and then pull back to reality, the spatial layout is as fast as the rhythm. A carved white platform handmade piano is immediately greeted, and suddenly stands in the double hall boundary. In the meantime, it also responds to the theme of the work, that is, the theme of the scene, such as the improvisation of wild music, the reverberation.